Fiber Arts/Mixed Media

Be Creative!

Robinsunne

Is God in the stitches?

O.K., I am open to anyone's understanding of God, Goddess, Spirit - actually I am eager for answers from Buddhists, and Muslims, and Christians, and Wiccans - all of us:
Do you feel like stitching is prayer? Is your meditation practice a daily stint with your beads? Do you finally slow down with the beat of needle and thread matching that of your heart, and three or thirty inches down get through all of the chit-chat and monkey mind of your day and finally settle in to listen?
I do. All of the above. And I feel insane without it. My days get so busy and I think that I have other priorities - and I want to commit suicide after about two weeks of my hands not wrapped around some piece of cloth, making little thread marks all over it.
I always feel like I just got home when I pick up my needle ...

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YES!!! That's exactly what it feels like. You probably already know this, but the word "bead" actually means a prayer--that's where rosary beads come from. I think it's one of the few avenues we modern people still have available to slow ourselves down and connect with spirit, short of actual prayer and meditation. And thankfully, crafters and artists everywhere are keeping these traditions alive. I often think about the connections of our craft with the different spiritual traditions. I love the way some of the ancient Greek stories refer to weaving--the three Fates who weave the tapestries of our lives, Odysseus' wife Penelope using the weaving and unweaving of her husband's shroud as a way to avoid marrying unwelcome suitors, and even the story of Theseus surviving the Minotaur and entrapment in the labyrinth thanks to Ariadne and her infamous thread. All of these stories, to me, point out the fact that weaving and the needlearts are central to society, meaning, and even life itself. God him/herself must be a weaver of worlds, and if that is the image we're created in, I think all of us are in good company!

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For me, any kind of art making is a meditation.

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I hadn't thought of it as deeply as this, but once I discovered the rhythm of hand stitching in my first attempt at quilting I found it very theraputic, it's the same with knitting. It's only when someone draws your attention to it that you realise what 's actually going on in the creative process.

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That's it exactly, Heather!

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Bonnie, I did know that bead came from the word for prayer! Makes rosaries and mala make a lot of sence, doesn't it? And yes, Heather, it is finding one's center. So, do you suppose that that is why it is so theraputic, Sharon? I think that it is too.
Thank you all for your words. Good stuff to think about tonight.
R

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Maybe not God or Goddess, but certainly peace and contentment, excitement and the exhilaration of self expression too!
Without it, i would surely go insane.......it's helped me through depression cycles, loneliness, poverty, isolation and pain, strengthened my joy and hope, taught me patience, taught me to leap without a net, given me friends and tested my knowledge and serenity.

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When I'm creating it is a strange experience - meditation like Marion says, but also a sort of simultaneous reaching into myself and reaching outwards at the same time. At its best it becomes mystical and I discover things I didn't know were there - it's like whatever I am making has a life and a determination of its own. (For a born-again agnostic I'm doing a great line in spirituality here!)

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Not much more to be said, here, by me, anyway. When we are focused (centered) in joy, it has a profound affect on our creativity, but also our reality in general. Meditation is a most healthy practice. When we create, we are doing that...many of us without even realizing it. There is definitely something about stitching. After a while, I am on autopilot and my mind can travel anywhere! When I am creating, worry and fear seem to disappear.

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You may want to pick up a copy of the book The Shaolin Grandmasters' Text: History, Philosophy, and Gung Fu of Shaolin Ch'an (Order of Shaolin Ch'an) by Shaolin Monks (Hardcover - Jan 15, 2005). The book is by the real Shaolin monks about the Shaolin. Anyway, the martial art gung fu ( often spelled kung fu) is their active meditation. Stitching is yours. Chan Buddhism (which became Zen when it was taken to Japan) is not very concerned with God.

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Thanks, New Fiberman. I'll have to look into those. My own, personal belief is that God (whatever, whoever that is) IS in the stitches...but also in everything else. Focus is how we connect to everything and experience that oneness. JMHO :)

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yes! I feel stitching is like prayer. when i am alone and into my work i talk to God. I am a Christian and I try my best to exist as God would have me exist and I feel He is very close when I am working. He asks us to involve him in everything we do

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I'm not a stitcher or beader, but machine quilting has this quality, even with the noise and the speed. I am a bit nuts right now, because I havent had time to work on any new art quilts -- cloth, yes, dyeing, yes -- but getting something onto the machine must have some place in my spiritual life. Ironing is another such practice for me. Quite grounding.

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Art competitions

Baker Arts Center 11th National Juried Art Exhibit - Liberal, Kansas

$7500.00 in cash awards. Deadline: November 8, 2008

Painters' Challenge - Online Exhibition

$1000 in awards. Deadline: November 1, 2008

Emerging Artists 2009 - Hudson, New York

$1000 cash, $2600 in publication awards. Deadline: November 30, 2008

Visual Arts Center of New Jersey 23rd International Juried Show - Summit, New Jersey

Cash awards totaling $1,800. Deadline: December 1, 2008

National Art Premiere 2009 - Elmhurst, Illinois

$3000 in awards. Deadline: October 31, 2008

International Art Competitions

Richeson 75: Still Life and Floral International Competition - Kimberly, Wisconsin

$3000 cash Best in Show; Total prizes: $7500. Deadline: August 29, 2008

A Show of Heads - Hudson, New York

$2600 in publication awards. Deadline: August 31, 2008

Ambience Art Contest 2008 - Online Exhibition

$1000 in awards. Deadline: August 31, 2008

Quilt National '09 - Athens, Ohio

Over $6,000 in prize monies. Deadline: September 5, 2008

Open International Online Exhibition for Acrylic Painters

$3000 + merchandise. Deadline: September 15, 2008

Fiber Art Calls

“NAKED”

Two Deadlines:
September 25, 2008 (POSTMARK)
September 30, 2008 by 5:00pm (Hand Delivery)


“NAKED”
Sixth Street Gallery
Vancouver, WA 98660
November 4 – November 30, 2008


“NAKED” Uncovered, having no means of defense or protection open, unarmed, defenseless unprovided with needful or desirable accessories plain, mere, simple void of elaboration diminution or concealment, open to view, bare and pure bewitching both body and soul raw fury

“Naked to mine enemies”- Shakespeare

The basis of this show invites praise of the NAKED form. The human body, mould, external three dimensional shape that houses our hearts, souls, and limbs. The creatively different arrangement we call our body. NAKED is conceived to allow the artist freedom to create art with this image of the primal element of life, the human form, in mind. NAKED.

All two and three dimensional media are welcome, as well as time-based art. Let your ventures run NAKED.

Submissions
Artists are invited to submit up to three pieces for jurying. There is a jury fee of $20. The jury fee is $10 for youth artists 14 years or younger.

Submission forms, accompanying materials, and payment should be mailed to or dropped off at:

“NAKED”
Sixth Street Gallery
105 W Sixth Street
Vancouver, WA 98660

Artists may include a SASE for return of submission materials. No materials will be returned without a SASE.

Artists are encouraged, but not required, to offer accepted work for sale. Sixth Street Gallery will take a 35% commission on all sold pieces.

Download prospectus: www.sixthstreetgallery.com/calltoartists

Visit website for additional details: http://www.sixthstreetgallery.com/

Sixth Street Gallery
105 W Sixth Street
Vancouver, WA 98660

Questions
If you have any questions, please call 360-693-7340 or email Brooke at keitel2929@hotmail.com.

Tacoma Art Museum: Exhibition Proposals

Deadline: Ongoing/Unspecified

Tacoma Art Museum
Exhibition Proposals
Tacoma, WA


Submitting Exhibition Proposals

To ensure the timely and thorough review of your proposal, please follow these guidelines:

Required Materials

Exhibition proposal explaining rationale, relevance to Tacoma Art Museum, and artwork to be included
Information about curatorial expertise and any relevant biographical information
Fact sheet detailing number and size of artworks in proposed exhibition, linear or square feet required, costs, insurance coverage, and scheduling availability
Images of artwork: Digital images on CD or a on a Web site are preferred. The museum no longer accepts slides, transparencies, or color prints without prior written consent. Please do not submit original artwork. The museum cannot accept unsolicited artwork through the mail or in person without prior written communication. The museum will not be responsible for lost or damaged material.
Self-addressed, stamped, envelope to ensure return of your materials

Materials should be mailed to:
Tacoma Art Museum Curatorial Department
Attn: Exhibition Proposals
1701 Pacific Avenue
Tacoma, WA 98402

Proposals are not accepted by e-mail or in person.

Review Process
The curatorial staff and program planning committee review proposals on an ongoing basis. Due to the high volume of proposals we receive, we will mail a reply within three to six months of submission.

Our schedule is planned a minimum of two years in advance and emphasizes thematic exhibitions and work by established Northwest artists. Exhibitions are carefully balanced to offer a wide variety of programming; therefore, we are rarely able to incorporate unsolicited proposals.

Visit website for addtional details: www.tacomaartmuseum.org

Tacoma Art Museum: Artist Portfolio Submissions

Deadline: Ongoing/Unspecified

Tacoma Art Museum

Artist Portfolio Submissions
Tacoma, WA


Submitting Artist Portfolio

To ensure the timely and thorough review of your materials, please follow these submission guidelines:

Required Materials

Resume detailing exhibition history, collections, and gallery representation
Artist’s statement, including relevance to Tacoma Art Museum’s mission: Connecting People through Art. Tacoma Art Museum serves the diverse communities of the Northwest through its collection, exhibitions, and learning programs, emphasizing art and artists from the Northwest.

Images of artwork (up to twenty). Digital images on CD or a on a Web site are preferred. The museum no longer accepts slides, transparencies, or color prints without prior written consent.

Please do not submit original artwork. The museum cannot accept unsolicited artwork through the mail or in person without prior written communication. The museum will not be responsible for lost or damaged material.

Copies of published exhibition reviews

Self-addressed, stamped envelope to ensure return of your materials

Materials should be mailed to:
Tacoma Art Museum Curatorial Department
Attn: Artist Submissions
1701 Pacific Avenue
Tacoma, WA 98402

Submissions are not accepted by e-mail or in person.

Review Process
The curatorial staff reviews submissions on an ongoing basis. Due to the high volume we receive, we will mail a reply within three to six months of your submission.

Our exhibition schedule is planned a minimum of two years in advance and emphasizes thematic exhibitions and work by established Northwest artists.

Learn more about the EDGE Professional Development Program for Visual Artists www.artisttrust.org/services/edge through Artist Trust.

Visit website for additional details: tacomaartmuseum.org

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