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linda chilton Holsworthy, Devon, United Kingdom

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Morna Crites-Moore left a comment for linda chilton Aug 10
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moonlit apples
Aug 9

Profile

Hometown:
Holsworthy Devon UK
About Me:
I am a textile artist living in Devon, England. I work in machine embroidery on dyed felt. My work deals with gardens and the English landscape. See my other blog


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Website:
http://www.lindachilton.com
Blog
http://www.lindachilton.blogspot.com

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Linda chilton's Blog

Off to Salisbury for a long weekend

Sorry i have not added a post for some time. I am off for a few days visiting my sister who lives near Salisbury in Wiltshire. We may go up to London for the day to see some exhibitions as there is a good rail service.

Posted on February 21st, 2008 at 2:43pm — No Comments (Add)

winter weather

A cold grey day, we walked near the sea and looked at autumn colours through the mist. Lots of inspiration, on the edge of new work,but not quite there.

Posted on November 18th, 2007 at 1:41pm — No Comments (Add)

more bulbs!!

Today I planted garlic,100 gladioli,and made some wattle fences in the little veg garden. So much work to avoid stitching! Still, its done, and the machine awaits...

Posted on October 22nd, 2007 at 11:37am — No Comments (Add)

sunshine in autumn

Today bulbs came- some of them. Ive planted 100 and am working on the next 100-making a grden from a field is not easy! I have made a dark border,a spiral garden, an ornamental veg and fruit garden, and the beginnings of a formal rose garden, and also working on a wild meadow- all in two years. Needless to say there are a lot of weeds too! I'm making pictures on the ground to make pictures on fabric, all one thing really. Except stitching dosnt ruin your jeans in quite the same way.

Posted on October 19th, 2007 at 10:31am — No Comments (Add)

more sewing machine angst

Like fellow blogger karen, I am living with two much loved but ancient machines. They are Elnas,with horizontal bobbins. I will need a new machine soon, but have no idea what to go for. I want a fast machine, and I do mean fast. But I dont want the noise of an industrial.An added complication is that I live in the depths of the country and the not very local shop onbly stocks very basic machines. Any recommendations very gratefully received!

Posted on October 14th, 2007 at 4:37am — 1 Comment (Add)

Comment Wall (18 comments)

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At 6:06pm on August 10th, 2008, Morna Crites-Moore said…
WOW - I really love your work!
At 7:36pm on May 18th, 2008, Teresa ... said…
Hi Linda, thanks for your kind comments. The stitching in your work is fantastic, you must have every colour of thread available, and you must have oodles of patients. The art is incredible. I may be tempted to drag out my 30 year old janomi and give it a go one day. I do not sew or paint any of my wet felt at the moment, but some of my peiced could benefit by it. One day.
Just visited you website again. Keep that fantastic light shining in your work it is wonderful. Teresa
At 9:25am on March 19th, 2008, Dawn Kopczynski said…
Simply AMAZING!!!! :-)

Dawn
At 5:53am on March 19th, 2008, Anne Marie Desaulniers said…
Linda - I use Krylon. Right now the only one I can lay my hands on is called "Crystal Clear". Not necessarily designed to be used on fabric, but I do use a light coat of it. I know that I had another spray varnish around, but for the life of me, can't lay my hands on it now. Again, I believe that it's Krylon. - Anne Marie
At 6:56am on March 18th, 2008, Anne Marie Desaulniers said…
I know that you're probably going to kill me, but have you tried the Caran D'Ache, Neocolour II Watersoluble crayons? They work quite well on fabric. I've used them when I need just that extra bit of colour. It's really like using crayons, and then you wet them down with a brush and water. Spray with a fixative at the end.

We're far away from "hot, hot, hot" and are expecting a little freezing rain today (blech!) We'll probably have a couple more dumps of snow, but it's not as cold as it was a couple of weeks ago. It was really nice on the weekend. Bright, sunny and around 6 - 7 degrees c. I'm sitting here at the computer at 6:54 a.m. and hear a Cardinal singing out my window (can't see him, but do hear him). Of course it's still dark out, so I don't know what he's doing out at this time, but it's nice to hear just the same. Have a great week! - Anne Marie
At 6:40am on March 17th, 2008, Anne Marie Desaulniers said…
Hi Linda, Thanks for the info about Bright Meadow. It really is lovely. My painted canvas went very well and now I'm stitching it. Before this, I was using fabric paints, but now I don't think I will bother. No problem at all stitching through the acrylics. I have threadpainted a tree, but the rest of the embellishment will be in the quilting. Very dense, multiple flowing patterns, metallic and rayon threads. Once I finish that, I MIGHT decide to do some handwork if I think it needs it.

No real snow in the last week. We've had a couple of days that tease us with spring, but I'm sure that we'll get at least one more dump of snow. However, it doesn't look like it's going to happen this week. Rain, yes....but at least that will wash away some of the nasty grey stuff at the edge of the road. I'm envious of your climate. I originally come from Vancouver, B.C. so I know what spring in March is like. I do miss it at this time of the year (except the rain). It sometimes seems like it jumps right from winter to summer here. One day it's cold and snowy, and the next day hot, hot, hot. Of course, that's stretching it a little, but it's not a long spring like you get in a more temperate climate.

As for creativity, I've taken an extra day off next Monday, so am planning a creative four day weekend for Easter. I'd like to start work on a couple of small pieces for a show I'm in over the summer. Have a great week! - Anne Marie
At 5:58am on December 13th, 2007, Aileen Clarke said…
Hi Linda, thanks for your comments. I love your beaded shell pieces. So beautiful. Bina is right, they have a calming effect. Best wishes, Aileen.
At 1:40am on November 13th, 2007, Bina Eisenberg said…
Oh, I just love green, go with what you like and what you love to do and do it well! Best of luck... Your work is very lovely...has a calming effect...
All the best,
Bina
At 8:28am on October 30th, 2007, Shirley Anne Sherris said…
I think that for what you do as I did - I don't think you will find a machine that is 'quiet'. Take a piece of fabric and your own top cotton and when you go looking ask to test drive thread painting and compare the different machines. Lots of machines sound quiet when doing simple straight stitching. I also noticed at the shows when they were demonstrating hooped embroidery that they seemed to be quiet enough but in the silence of your own home - what was quiet there in the noise of a show or shop - isn't.
Just a thought.
I've just finished digitising an Egyptian urn to over sew on a piece - so some noise coming up - on my own at the moment so it doesn't matter.
Cheers
Shirley
At 6:35am on October 30th, 2007, Shirley Anne Sherris said…
Hi
Is that a Pfaff machine you are working on in your pictures on your web site?
Shirley
 
 

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Baker Arts Center 11th National Juried Art Exhibit - Liberal, Kansas

$7500.00 in cash awards. Deadline: November 8, 2008

Painters' Challenge - Online Exhibition

$1000 in awards. Deadline: November 1, 2008

Emerging Artists 2009 - Hudson, New York

$1000 cash, $2600 in publication awards. Deadline: November 30, 2008

Visual Arts Center of New Jersey 23rd International Juried Show - Summit, New Jersey

Cash awards totaling $1,800. Deadline: December 1, 2008

National Art Premiere 2009 - Elmhurst, Illinois

$3000 in awards. Deadline: October 31, 2008

International Art Competitions

Richeson 75: Still Life and Floral International Competition - Kimberly, Wisconsin

$3000 cash Best in Show; Total prizes: $7500. Deadline: August 29, 2008

A Show of Heads - Hudson, New York

$2600 in publication awards. Deadline: August 31, 2008

Ambience Art Contest 2008 - Online Exhibition

$1000 in awards. Deadline: August 31, 2008

Quilt National '09 - Athens, Ohio

Over $6,000 in prize monies. Deadline: September 5, 2008

Open International Online Exhibition for Acrylic Painters

$3000 + merchandise. Deadline: September 15, 2008

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“NAKED”

Two Deadlines:
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“NAKED”
Sixth Street Gallery
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November 4 – November 30, 2008


“NAKED” Uncovered, having no means of defense or protection open, unarmed, defenseless unprovided with needful or desirable accessories plain, mere, simple void of elaboration diminution or concealment, open to view, bare and pure bewitching both body and soul raw fury

“Naked to mine enemies”- Shakespeare

The basis of this show invites praise of the NAKED form. The human body, mould, external three dimensional shape that houses our hearts, souls, and limbs. The creatively different arrangement we call our body. NAKED is conceived to allow the artist freedom to create art with this image of the primal element of life, the human form, in mind. NAKED.

All two and three dimensional media are welcome, as well as time-based art. Let your ventures run NAKED.

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Artists are invited to submit up to three pieces for jurying. There is a jury fee of $20. The jury fee is $10 for youth artists 14 years or younger.

Submission forms, accompanying materials, and payment should be mailed to or dropped off at:

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105 W Sixth Street
Vancouver, WA 98660

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Artists are encouraged, but not required, to offer accepted work for sale. Sixth Street Gallery will take a 35% commission on all sold pieces.

Download prospectus: www.sixthstreetgallery.com/calltoartists

Visit website for additional details: http://www.sixthstreetgallery.com/

Sixth Street Gallery
105 W Sixth Street
Vancouver, WA 98660

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Tacoma Art Museum: Exhibition Proposals

Deadline: Ongoing/Unspecified

Tacoma Art Museum
Exhibition Proposals
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Submitting Exhibition Proposals

To ensure the timely and thorough review of your proposal, please follow these guidelines:

Required Materials

Exhibition proposal explaining rationale, relevance to Tacoma Art Museum, and artwork to be included
Information about curatorial expertise and any relevant biographical information
Fact sheet detailing number and size of artworks in proposed exhibition, linear or square feet required, costs, insurance coverage, and scheduling availability
Images of artwork: Digital images on CD or a on a Web site are preferred. The museum no longer accepts slides, transparencies, or color prints without prior written consent. Please do not submit original artwork. The museum cannot accept unsolicited artwork through the mail or in person without prior written communication. The museum will not be responsible for lost or damaged material.
Self-addressed, stamped, envelope to ensure return of your materials

Materials should be mailed to:
Tacoma Art Museum Curatorial Department
Attn: Exhibition Proposals
1701 Pacific Avenue
Tacoma, WA 98402

Proposals are not accepted by e-mail or in person.

Review Process
The curatorial staff and program planning committee review proposals on an ongoing basis. Due to the high volume of proposals we receive, we will mail a reply within three to six months of submission.

Our schedule is planned a minimum of two years in advance and emphasizes thematic exhibitions and work by established Northwest artists. Exhibitions are carefully balanced to offer a wide variety of programming; therefore, we are rarely able to incorporate unsolicited proposals.

Visit website for addtional details: www.tacomaartmuseum.org

Tacoma Art Museum: Artist Portfolio Submissions

Deadline: Ongoing/Unspecified

Tacoma Art Museum

Artist Portfolio Submissions
Tacoma, WA


Submitting Artist Portfolio

To ensure the timely and thorough review of your materials, please follow these submission guidelines:

Required Materials

Resume detailing exhibition history, collections, and gallery representation
Artist’s statement, including relevance to Tacoma Art Museum’s mission: Connecting People through Art. Tacoma Art Museum serves the diverse communities of the Northwest through its collection, exhibitions, and learning programs, emphasizing art and artists from the Northwest.

Images of artwork (up to twenty). Digital images on CD or a on a Web site are preferred. The museum no longer accepts slides, transparencies, or color prints without prior written consent.

Please do not submit original artwork. The museum cannot accept unsolicited artwork through the mail or in person without prior written communication. The museum will not be responsible for lost or damaged material.

Copies of published exhibition reviews

Self-addressed, stamped envelope to ensure return of your materials

Materials should be mailed to:
Tacoma Art Museum Curatorial Department
Attn: Artist Submissions
1701 Pacific Avenue
Tacoma, WA 98402

Submissions are not accepted by e-mail or in person.

Review Process
The curatorial staff reviews submissions on an ongoing basis. Due to the high volume we receive, we will mail a reply within three to six months of your submission.

Our exhibition schedule is planned a minimum of two years in advance and emphasizes thematic exhibitions and work by established Northwest artists.

Learn more about the EDGE Professional Development Program for Visual Artists www.artisttrust.org/services/edge through Artist Trust.

Visit website for additional details: tacomaartmuseum.org
 

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